Gran Torino Trailer
我看了这部电影后，感触很深，对 Clint Eastwood 有更崇高的尊敬。如果你们看了预告片，可能会觉得电影的主题很沉重。种族歧视，帮派斗争，围绕着一个寂寞，气愤的老人，世界的问题已经够烦了，还要看这样的电影来消遣啊？这部电影确实让我哭笑不得。它的奥妙在于电影拍摄得细腻却不失节奏。Clint Eastwood 导演并不会浪费时间把他的人物内心的痛慢慢的表现出来，而是点到为止。但这样的呈现方法还是非常有感染力，也让结局更悲哀。人物的言行举止，小动作，镜头的拍摄，让大家充分的了解这位人物，话不需要很多，但还是能认识他。让我十分敬佩的是Clint Eastwood 能把听起来很“废话”的台词演绎得那么的贴切和逼真。表面上好像不可能从一个对世界有这么多怨恨的老人家口中说出的话，由他说竟然不会让我觉得别扭。我想这是演员都应该练成的功力。不是没个剧本都会有完美的台词，但这应该就是有功力的演员和没经验的演员的不同。或许正是因为一些话很出乎预料，所以为人物制造了另一种性格的特点。
这部电影看完之后，感觉Clint Eastwood 所饰演的 Walt Kowalski是一个我认识的朋友，感觉好像真的参与了他人生的那短短的一部分，非常扣人也让我在落幕后，哭了许久，一直无法抽离。就连晚上也做了梦。
这部电影是那么的有影响力。希望大家会支持 Clint Eastwood 的这部作品。
Gran Torino is probably the best movie I’ve watched in the past couple of months.
Directed by Clint Eastwood, the movie seems to contain very dark and heavy themes of racism and gang activity set in a messed-up neighbourhood, centred around an old, grouchy man. Not exactly the kind of movie to take the mind off the many problems facing the world right now. But you’d be surprised that there are a few laughs in the movie.
Clint Eastwood is so convincing as Walt Kowalski (a Korean War veteran), that he makes the most ridiculous dialogue ring with depth. Pain is written all over his face and immediately you know this is a man who’s seen death, who’s gone through life tough and lonely. Every step he takes seem to ache with old injury, and you could almost feel it through the ankles to his lower back. And yet he displays incredible grit and strength in the face of young terror, pointing his make-belief gun at the kids holding real guns and throwing them off with the ridiculous gesture, when really he would be easily outnumbered in a fist-fight. Director Clint Eastwood wasted no time in milking poignant moments, allowing just one tear to be shed while his face was half hidden in shadow. It was enough. He tells stories by building characters, not through the dialogue nor the action. Every prop was placed for a reason, a reason that furthers the story, that forms the character’s inner feelings, thoughts and behaviour. It isn’t there just to provide foreground or create visual depth. It speaks of the characters and it tells their story.
The plot is enriching, and the main characters go through a journey, be it redemption, enlightenment or character building. It tells of the irony of life, that nothing is forever. Prejudices formed could change, allies become enemies, fear becomes strength. Death is never far away.
By the end of the movie, Walt was almost like the friend I knew, whose wife died before he did and whose experience in Korea made him the man he was — angry, jaded and distrusting. I saw his walls crumble slowly, I saw the glint in his eye when he made friends and taught the boy how to be a man, brought him shopping for tools on his first job and offered to lend him his prized Gran Torino to bring the girl out on a date. I saw the fire in his eyes when he knew the people he cared about were bullied, I saw weakness when his heart ached. The true strength and sacrifice he displayed in the face of danger arose from the need to protect the people who trusted him.
I cried and mourned way after the movie ended, because his spirit was so real, I felt a part of me left when the credits rolled.
Watch it and you’ll know what I mean.